Episodes in Virtuosity: Martha Argerich

The word virtuoso is defined as, "a musician who is a consummate master of technique and artistry." or "… an individual who possesses outstanding technical ability at singing or playing a musical instrument." 

When I decided to that I was going to be a serious (classical) musician, I regarded this word with esteem and respect. I saw the aspiration for virtuosity as a means of achieving self-actualization, and decided to dedicate my life towards this realization. However, like so many things, after six years of conservatory training the shine wore off this word and I fear that I have lost my reverence for the beautiful. After all, art is the habit of the artist. Nevertheless, it is my intent to use this platform to (re)discover, admire, and share music/musicians of the highest caliber, in any and all genres, strictly for the purpose of listening to Music worth listening to.

 

When I began this article I intended to wax philosophic about the value of expanding your aural pallet and aesthetic appreciation. I intended to write a broad and sweeping argument about the worth of the classical masterworks and the idea that this music was composed before my own lifetime and will inevitably be enjoyed long after I am gone. However, I am not that good. 

The only real point that needs to be made here is that Martha Margerich has the capacity to achieve any musical idea she desires, and the artistic sensitivity to use her technique to create some of the most beautiful music I have ever had the pleasure to hear.  

The piece was composed in 1901 by Maurice Ravel (1875-1937) and is entitled Jeux d'eau - which translates to fountains. The original broadcast of this performance was on July 31, 1977.

 

Dave

Dave (@DaveWhoDigs) digs musicianship, theory, and music that goes with craft beer. He writes about music from a classically trained musician’s perspective. He’s currently based in Portland OR.